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	<title>Early Medieval Art &#187; Wall Painting</title>
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	<link>http://www.earlymedievalart.com</link>
	<description>Teaching and Researching Early Medieval Art</description>
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		<title>Monastero di Torba on Flickr</title>
		<link>http://www.earlymedievalart.com/2009/12/monastero-di-torba-on-flickr/</link>
		<comments>http://www.earlymedievalart.com/2009/12/monastero-di-torba-on-flickr/#comments</comments>
		<pubDate>Sun, 27 Dec 2009 15:51:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Wall Painting]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=248</guid>
		<description><![CDATA[A good set of broader views of the frescoes at the Monastery di Torba in Gornate Olona, in Lombardy.
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;Longobard and Papal Italy&#8221;: The Tempietto sul Clitunno</title>
		<link>http://www.earlymedievalart.com/2008/06/longobard-and-papal-italy-the-tempietto-sul-clitunno/</link>
		<comments>http://www.earlymedievalart.com/2008/06/longobard-and-papal-italy-the-tempietto-sul-clitunno/#comments</comments>
		<pubDate>Thu, 26 Jun 2008 16:58:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Early Medieval Monasteries Seminar]]></category>
		<category><![CDATA[Stonework]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[angelgs]]></category>
		<category><![CDATA[Christ]]></category>
		<category><![CDATA[clitunno]]></category>
		<category><![CDATA[gemmed cross]]></category>
		<category><![CDATA[inscription]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[palm trees]]></category>
		<category><![CDATA[pediment relief]]></category>
		<category><![CDATA[peter and paul]]></category>
		<category><![CDATA[spoleto]]></category>
		<category><![CDATA[tempietto]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=178</guid>
		<description><![CDATA[The Tempietto sul Clitunno stands as yet another early medieval monument whose dating remains imprecise.   One could easily pass over this small church, especially as good color photos prove difficult to find, but I have my own images that I offer here, in combination with some that you may find on Flickr.
Flickr offers [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>&#8220;Longobard and Papal Italy&#8221;: The Chapel of Theodotus</title>
		<link>http://www.earlymedievalart.com/2008/06/longobard-and-papal-italy-the-chapel-of-theodotus/</link>
		<comments>http://www.earlymedievalart.com/2008/06/longobard-and-papal-italy-the-chapel-of-theodotus/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 21:09:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Early Medieval Art Survey]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[chapel of theodotus]]></category>
		<category><![CDATA[Crucifixion]]></category>
		<category><![CDATA[donor images]]></category>
		<category><![CDATA[donor portraits]]></category>
		<category><![CDATA[hagiography]]></category>
		<category><![CDATA[holy land]]></category>
		<category><![CDATA[julitta and quiricus]]></category>
		<category><![CDATA[quiricus and julitta]]></category>
		<category><![CDATA[santa maria antiqua]]></category>
		<category><![CDATA[square nimbus]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=167</guid>
		<description><![CDATA[I have not posted course content for quite some time.  As a reminder, we were last in the duchy of Bavaria.
After some time north of the Alps, at last we return to Italy and to Rome, and yet again, to Santa Maria Antiqua, not to the palimpsest wall, but to the Chapel of Theodotus. [...]]]></description>
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		<title>New To Me: New Discoveries in the Catacomb of Saints Peter and Marcellinus</title>
		<link>http://www.earlymedievalart.com/2008/06/new-to-me-new-discoveries-in-the-catacomb-of-saints-peter-and-marcellinus/</link>
		<comments>http://www.earlymedievalart.com/2008/06/new-to-me-new-discoveries-in-the-catacomb-of-saints-peter-and-marcellinus/#comments</comments>
		<pubDate>Thu, 19 Jun 2008 14:19:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[Catacomb]]></category>
		<category><![CDATA[Peter and Marcellinus]]></category>
		<category><![CDATA[Petro e Marcellino]]></category>
		<category><![CDATA[rome]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=176</guid>
		<description><![CDATA[On May 18th, the website of the magazine, Archaeology, posted an online feature on the Catacomb of Saints Peter and Marcellinus.  The partial collapse of the foundation of the Instituto Sacra Famiglia revealed five unexplored chambers of the Catacomb.  The article focused on a mass grave, but three photos of wall painting accompany the article.  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Early Byzantine Wall Painting in Istanbul</title>
		<link>http://www.earlymedievalart.com/2008/06/early-byzantine-wall-painting-in-istanbul/</link>
		<comments>http://www.earlymedievalart.com/2008/06/early-byzantine-wall-painting-in-istanbul/#comments</comments>
		<pubDate>Thu, 12 Jun 2008 14:57:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[early byzantine]]></category>
		<category><![CDATA[istanbul]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=169</guid>
		<description><![CDATA[One of my former students is traveling around Turkey this summer with his advisor.  He has posted a photo of an early Byzantine wall painting found in Istanbul in the area of the Great Palace and today underneath a Travel Agency.  Take a look!
]]></description>
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		<title>Bavarian Art: The Church of Saint Proculus in Naturno/Naturns</title>
		<link>http://www.earlymedievalart.com/2008/06/bavarian-art-the-church-of-saint-proculus-in-naturnonaturns/</link>
		<comments>http://www.earlymedievalart.com/2008/06/bavarian-art-the-church-of-saint-proculus-in-naturnonaturns/#comments</comments>
		<pubDate>Fri, 06 Jun 2008 18:21:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Early Medieval Art Survey]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[Angels]]></category>
		<category><![CDATA[apostles]]></category>
		<category><![CDATA[Bavarian]]></category>
		<category><![CDATA[Bovine]]></category>
		<category><![CDATA[Cattle]]></category>
		<category><![CDATA[Cowherd]]></category>
		<category><![CDATA[Cows]]></category>
		<category><![CDATA[Frescoes]]></category>
		<category><![CDATA[Naturno]]></category>
		<category><![CDATA[Naturns]]></category>
		<category><![CDATA[Paul]]></category>
		<category><![CDATA[Proculo]]></category>
		<category><![CDATA[Proculus]]></category>
		<category><![CDATA[Prokulus]]></category>
		<category><![CDATA[Saints]]></category>
		<category><![CDATA[Swinging Saint]]></category>

		<guid isPermaLink="false">http://www.earlymedievalart.com/?p=148</guid>
		<description><![CDATA[
The wall painting in the Church of Saint Proculus in Naturno deserves much broader familiarity, but it, like most wall painting, proves challenging to teach.  Scholars generally date the structure to the seventh century; Marese Sennhauser-Girard refers to new research dating it to tenth or eleventh, but I do not know to what research she refers.  The [...]]]></description>
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		<item>
		<title>Muestair, The Blog</title>
		<link>http://www.earlymedievalart.com/2008/05/muestair-the-blog/</link>
		<comments>http://www.earlymedievalart.com/2008/05/muestair-the-blog/#comments</comments>
		<pubDate>Fri, 16 May 2008 09:07:00 +0000</pubDate>
		<dc:creator>Kirsten Ataoguz</dc:creator>
				<category><![CDATA[New and Upcoming Publications]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[Muestair]]></category>

		<guid isPermaLink="false">http://earlymedievalart.wordpress.com/?p=136</guid>
		<description><![CDATA[My research centers around the Monastery of Saint John in Muestair (CH), and my dissertation was the third completed on the church.  Marese Sennhauser-Girard wrote the first at the University of Basel in 1959.  In mine I wrote, &#8220;although Sennhauser-Girard has continued to develop her interpretation for the last five decades, she has published few of her [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;Visigothic Art&#8221;: The Sacrifice of Isaac, a Flashback</title>
		<link>http://www.earlymedievalart.com/2008/05/visigothic-art-the-sacrifice-of-isaac-a-flashback/</link>
		<comments>http://www.earlymedievalart.com/2008/05/visigothic-art-the-sacrifice-of-isaac-a-flashback/#comments</comments>
		<pubDate>Mon, 05 May 2008 13:53:04 +0000</pubDate>
		<dc:creator>Kirsten Ataoguz</dc:creator>
				<category><![CDATA[Early Medieval Art Survey]]></category>
		<category><![CDATA[Mosaic]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[Dura Synagogue]]></category>
		<category><![CDATA[Sacrifice of Isaac]]></category>
		<category><![CDATA[San Pedro de la Nave]]></category>
		<category><![CDATA[San Vitale]]></category>
		<category><![CDATA[Sarcophagus of Junius Bassus]]></category>
		<category><![CDATA[Stonework]]></category>
		<category><![CDATA[typology]]></category>

		<guid isPermaLink="false">http://earlymedievalart.wordpress.com/?p=125</guid>
		<description><![CDATA[Before examining the historiated capitals at San Pedro de la Nave, a brief flashback through monuments familiar to students from the introductory survey provides some necessary background. 
The Sacrifice of Isaac found its earliest representation at the Dura Synagogue, in the panel above the Torah shrine.  (You may note the source of the image, Eikon: Image [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Pope John VII&#8221;: Santa Maria Antiqua</title>
		<link>http://www.earlymedievalart.com/2008/04/pope-john-vii-santa-maria-antiqua/</link>
		<comments>http://www.earlymedievalart.com/2008/04/pope-john-vii-santa-maria-antiqua/#comments</comments>
		<pubDate>Fri, 04 Apr 2008 03:05:51 +0000</pubDate>
		<dc:creator>Kirsten Ataoguz</dc:creator>
				<category><![CDATA[Early Medieval Art Survey]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[Adoration]]></category>
		<category><![CDATA[Crucifixion]]></category>
		<category><![CDATA[john vii]]></category>
		<category><![CDATA[Monotheletism]]></category>
		<category><![CDATA[palimpsest]]></category>
		<category><![CDATA[rome]]></category>
		<category><![CDATA[santa maria antiqua]]></category>
		<category><![CDATA[Sergius]]></category>
		<category><![CDATA[Trullo]]></category>
		<category><![CDATA[typology]]></category>

		<guid isPermaLink="false">http://earlymedievalart.wordpress.com/?p=69</guid>
		<description><![CDATA[Fragmentation characterizes the artistic legacy of John VII, and his frescoes at Santa Maria Antiqua have not escaped this fate.  Further complicating matters, other than the interactive palimpsest wall on the website of the Soprintendenza, the internet does not favor this monument.  A 1925 article by Myrtilla Avery in Art Bulletin is available through JSTOR, and like all articles [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wall Painting and the Early Medieval Art Survey</title>
		<link>http://www.earlymedievalart.com/2008/04/wall-painting-and-the-early-medieval-art-survey/</link>
		<comments>http://www.earlymedievalart.com/2008/04/wall-painting-and-the-early-medieval-art-survey/#comments</comments>
		<pubDate>Fri, 04 Apr 2008 01:58:53 +0000</pubDate>
		<dc:creator>Kirsten Ataoguz</dc:creator>
				<category><![CDATA[Teaching Early Medieval Art]]></category>
		<category><![CDATA[Wall Painting]]></category>
		<category><![CDATA[contextualization]]></category>
		<category><![CDATA[study trips]]></category>

		<guid isPermaLink="false">http://earlymedievalart.wordpress.com/?p=68</guid>
		<description><![CDATA[Wall painting, in general, proves the most resistant to immediate appreciation of all early medieval media.  And yet, the testimony of wall painting to the destructive power of the passage of time drew me to art history in the first place.  But the context of wall painting evokes as much as its fragments do, and on our [...]]]></description>
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		<slash:comments>0</slash:comments>
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